Table of Contents
- Academic Calendar 2025-2026 (March 2025)
- I. General Information and Admissions
- 1. Welcome to 乐鱼体育
- 2. Glossary of Academic Terms and Calendar of Events
- 3. Admission
- 3.1. Contact Information
- 3.2. Admission to the University
- 3.3. Minimum General Admission Requirements
- 3.4. Additional Admission Requirements
- 3.5. Notes on Entry to First-Year Courses
- 3.6. Requirements for Non-Canadian Education Systems
- 3.7. English Requirements
- 3.8. Mature Students
- 3.9. Admission with Advanced Standing
- 3.10. Transfer Students
- 3.11. Challenge for Credit
- 3.12. Visiting Students
- 3.13. Exchange Students
- 3.14. Special Circumstances
- 3.15. Graduate Studies
- 4. Fees
- 4.1. Fees and Expenses
- 4.1.1. Full-time/Part-time Enrolment - Fall and Winter terms
- 4.1.2. Tuition Fees
- 4.1.3. Overload Fees for Full-Time Students
- 4.1.4. Auditing Fees
- 4.1.5. Mail Service, Fitness Centre, and Technology and Service Fee
- 4.1.6. Student Organization Fees
- 4.1.7. Other Fees
- 4.1.8. Fieldwork and Travel: Expenses and Liability
- 4.1.9. Instructional Supplies Fees
- 4.1.10. Study Abroad and Exchange Fee
- 4.1.11. Residence, Communications and Meal Plan Fees
- 4.2. Deposits for Full-Time Students
- 4.2.1. Registration Deposits for New Students
- 4.2.2. Residence Deposits for New Students
- 4.2.3. Refunds of Residence Deposits for New Students
- 4.2.4. Registration Deposits for Returning Students
- 4.2.5. Residence Deposits and Refunds for Returning Students
- 4.2.6. Registration Deposits for January Admissions (New and Former Students)
- 4.2.7. Residence Deposits for January Admissions (New and Former Students)
- 4.3. Payment of Fees
- 4.3.1. Payments and Charges
- 4.3.2. Fall and Winter Payments by Part-Time Students
- 4.3.3. Fall Payments by Full-time Students
- 4.3.4. Winter Payments by Full-time Students
- 4.3.5. Fall and Winter Payments for Students Participating in Exchange Programs
- 4.3.6. Method of Payment
- 4.3.7. Reducing the Amount of Payments
- 4.4. Late Fees and Interest Charges
- 4.5. Withdrawals and Student Accounts
- 4.1. Fees and Expenses
- 5. Financial Assistance
- 6. Co-Curricular Life
- 6.1. The 乐鱼体育 Students' Union
- 6.2. The Argosy Weekly
- 6.3. CHMA FM
- 6.4. Motyer-Fancy Theatre
- 6.5. Residence Council
- 6.6. The Pond
- 6.7. Accommodation
- 6.8. Department of Athletics and Recreation
- 6.9. Spiritual Care on Campus
- 6.10. Student Life
- 6.11. Student Life Resources
- 6.11.1. Personal Counselling and Social Work Support
- 6.11.2. Experiential Learning and Career Development
- 6.11.3. Employment
- 6.11.4. Health Services
- 6.11.5. Student Health Insurance
- 6.11.6. Dietary and Nutritional Concerns
- 6.11.7. Student Wellness
- 6.11.8. Landlord/Tenant Concerns
- 6.11.9. International Students
- 6.11.10. Student Conduct
- 6.12. Services for Students with Disabilities
- 7. General Information
- 8. Personnel
- 9. Lectureships, Trusts and Fellowships; Endowed Chairs; Faculty Awards
- 9.1. Lectureships, Trusts and Fellowships
- 9.2. Endowed Chairs
- 9.2.1. Clement Chandler Avard and Florence Sybil Avard Chair in French Language
- 9.2.2. The Walter B. Cowan Chair in Religious Studies
- 9.2.3. The Edgar and Dorothy Davidson Chair in Canadian Studies
- 9.2.4. Fred C. Manning Chair in Commerce
- 9.2.5. The Hart Almerrin Massey Chair in Philosophy
- 9.2.6. The Pickard-Bell Chair in Music
- 9.2.7. The Reverend William Purvis Chair in English Literature
- 9.2.8. The Obed Edmund Smith Chair in Physics
- 9.2.9. The Obed Edmund Smith Chair in Mathematics
- 9.2.10. The Stiles-Bennett Chair in History
- 9.2.11. The Josiah Wood Chair in Classics
- 9.2.12. The Charles and Joseph Allison Chair of English Language and Literature
- 9.3. Faculty Awards
- II. Academic Regulations
- 10. Academic Regulations
- 10.1. Communication
- 10.2. Courses of Instruction
- 10.3. Registration
- 10.3.1. Registration Procedures (Adding Courses)
- 10.3.2. Registration Deadline
- 10.3.3. Registration Deadline (Self-directed Distance Learning Courses)
- 10.3.4. Determining Year Level
- 10.3.5. Normal Course Loads and Overloads (Fall and Winter terms)
- 10.3.6. Normal Course Loads and Overloads (Spring/Summer term)
- 10.3.7. Repeating Courses
- 10.3.8. Auditing Courses
- 10.4. Changes in Registration and Withdrawal
- 10.5. Transfer Credits
- 10.6. Academic Integrity
- 10.7. Missed Coursework or Tests
- 10.8. Examination Regulations
- 10.8.1. Scheduled Tests and Final Examinations (Fall and Winter terms)
- 10.8.2. Scheduled Tests and Final Examinations (Spring/Summer term)
- 10.8.3. Viewing Examination Papers
- 10.8.4. Accommodations for Missed Final Examinations
- 10.8.5. Extended Deadlines for Completion of Course Work
- 10.8.6. Special Examinations
- 10.9. Evaluations of Student Performance
- 10.9.1. Grading Policies for Courses
- 10.9.2. Reporting of Grades
- 10.9.3. Letter Grades and their Meanings
- 10.9.4. Prerequisite Grade Requirements
- 10.9.5. Grades Excluded from GPA
- 10.9.6. Calculation of TGPA, SGPA and CGPA
- 10.9.7. Repeated Courses, SGPA and CGPA
- 10.9.8. Grade Changes
- 10.9.9. Re-evaluation of a Grade
- 10.9.10. Aegrotat Standing
- 10.9.11. Assessment of Academic Standing
- 10.9.12. Good Standing
- 10.9.13. Unsatisfactory Standing
- 10.9.14. Academic Probation
- 10.9.15. Academic Suspension
- 10.9.16. Academic Dismissal
- 10.9.17. Procedures for Appeals and Re-admissions
- 10.9.18. Disciplinary Suspension or Dismissal
- 10.9.19. Dean's List
- 10.10. Degree Requirements
- 10.10.1. Academic Standing and Credits Required for a Degree
- 10.10.2. Academic Residency Requirements
- 10.10.3. Degree with Distinction Requirements
- 10.10.4. Honours GPA and Overall GPA Requirements
- 10.10.5. Submitting a Thesis
- 10.10.6. Falling Short of the Honours Requirements
- 10.10.7. Second Undergraduate Degree Requirements
- 10.10.8. Honours Certificate
- 10.11. Graduation and Convocation
- 10.12. Transcripts
- 10.13. Replacement/Duplicate Diplomas
- 10.14. Notification of Disclosure of Personal Information
- 10. Academic Regulations
- III. Academic Degrees, Programs and Courses
- 11. Academic Programs
- 11.1. General Regulations
- 11.2. Bachelor of Arts
- 11.2.1. Requirements for a B.A. Degree
- 11.2.2. Distribution Requirements
- 11.2.3. 3/4000 Level Courses
- 11.2.4. Credits Required for a Major and Minor
- 11.2.5. Additional Minor
- 11.2.6. Double Major
- 11.2.7. Joint Major
- 11.2.8. Bachelor of Arts - Aviation
- 11.2.9. Honours Degree
- 11.2.10. General Degree with Three Minors
- 11.2.11. The Major as Required for the B.A.
- 11.2.12. Disciplinary Major
- 11.2.13. Interdisciplinary Major
- 11.2.14. Joint Major
- 11.2.15. Specially Approved Major
- 11.2.16. Bachelor of Arts - Aviation offered in conjunction with MFC Training
- 11.2.17. Majors Available for the B.A.
- 11.2.18. Joint Majors Available for the B.A.
- 11.2.19. The Minor as Required for the B.A.
- 11.2.20. Disciplinary Minor
- 11.2.21. Interdisciplinary Minor
- 11.2.22. Specially Approved Minor
- 11.2.23. Minors Available for the B.A.
- 11.2.24. Disciplinary and Interdisciplinary Honours Programs
- 11.2.25. Honours Programs Available for the B.A.
- 11.2.26. Complementary Courses and Prerequisites
- 11.3. Bachelor of Science
- 11.3.1. Requirements for a B.Sc. Degree
- 11.3.2. Distribution Requirements
- 11.3.3. Science Core
- 11.3.4. Minimum Number of Science Credits
- 11.3.5. 3/4000 Level Science Courses
- 11.3.6. Credits Required for a Major and Minor
- 11.3.7. Additional Minor
- 11.3.8. Double Major
- 11.3.9. Joint Major
- 11.3.10. Honours Degree
- 11.3.11. General Degree with Three Minors
- 11.3.12. Courses which Qualify as Science Credits
- 11.3.13. The Major As Required for the B.Sc.
- 11.3.14. Disciplinary Major
- 11.3.15. Interdisciplinary Major
- 11.3.16. Joint Major
- 11.3.17. Specially Approved Major
- 11.3.18. Majors available for the B.Sc.
- 11.3.19. Joint Majors available for the B.Sc.
- 11.3.20. The Minor as Required for the B.Sc.
- 11.3.21. Disciplinary Minor
- 11.3.22. Interdisciplinary Minor
- 11.3.23. Specially Approved Minor
- 11.3.24. Minors Available for the B.Sc.
- 11.3.25. Disciplinary and Interdisciplinary Honours Programs
- 11.3.26. Honours Programs Available for the B.Sc.
- 11.4. Master of Science
- 11.5. Bachelor of Commerce
- 11.5.1. Primary Objective
- 11.5.2. Requirements for a Bachelor of Commerce Degree
- 11.5.3. Distribution Requirements
- 11.5.4. 3/4000 Level Courses
- 11.5.5. Commerce Degree Core Requirements
- 11.5.6. Commerce Electives on the Bachelor of Commerce Degree
- 11.5.7. The Minor as Required for the Bachelor of Commerce
- 11.5.8. Elective Credits
- 11.5.9. Honours Programs Available for the Bachelor of Commerce
- 11.5.10. Commerce with Honours
- 11.5.11. Commerce with Honours in Economics
- 11.5.12. Commerce - Aviation offered in conjunction with MFC Training
- 11.5.13. Major from Other Disciplines
- 11.5.14. Transferring to Commerce
- 11.6. Bachelor of Music
- 11.7. Bachelor of Fine Arts
- 11.8. Bachelor of Arts and Science
- 11.9. Certificate of Bilingualism/ Certificat De Bilinguisme
- 11.10. Undergraduate Certificates
- 11.11. Pre-Professional Requirements
- 11.12. International Programs
- 11.13. Academic Credit for Independent Experiential Learning
- 11.14. University Special Topics Courses
- 12. Programs and Courses of Instruction
- American Studies
- Arts
- Art History
- Aviation
- Biochemistry
- Biology
- Biopsychology
- Canadian Public Policy
- Canadian Studies
- Chemistry
- Classics
- Cognitive Science
- Commerce/Ron Joyce Centre for Business Studies
- Community Engaged Learning
- Computer Science
- Data Science
- Drama Studies
- Economics
- English Literatures
- Environmental Science
- Environmental Studies
- Experiential Learning
- Feminist and Gender Studies
- Fine Arts/Pierre Lassonde School of Fine Arts
- French Studies
- Geography
- Geography and Environment
- German Studies
- Greek
- Health Studies
- Hispanic Studies
- History
- Indigenous Studies
- International Economics and Business
- International Relations
- Japanese Studies
- Latin
- Linguistics
- Mathematics
- Modern Languages and Literatures
- Museum and Curatorial Studies
- Music
- Philosophy
- Philosophy, Politics, and Economics/Frank McKenna School of PPE
- Physics
- Politics and International Relations
- Psychology
- Religious Studies
- Science
- Screen Studies
- Social Science
- Sociology
- Spanish Studies
- University Special Topic Courses
- Visual and Material Culture
- Certificate Programs
- Certificate in Arts Administration
- Certificate in Biopsychology
- Certificate in Canadian Arts and Culture
- Certificate in Community Engaged Learning
- Certificates in Data Science
- Certificate in Diversity, Equity, and Inclusion
- Certificate in Foundations of Health
- Certificate in Mi'kmaw Studies
- Certificate in Music Education
- Certificate in Public History
- Certificate in Social Research Methodologies
- Certificate in Studies of Indigenous History
- Certificate in Theatre Arts
- Certificate in Visual Literacy and Culture
- 11. Academic Programs
- Index
- I. General Information and Admissions
The Department of Fine Arts offers a B.A. with a Major or Minor in Art History. The study of Art History is integral to the study of art and visual culture. With its increasingly interdisciplinary approach, Art History encompasses a broad range of visual, cultural and social studies. An art history background provides valuable insight into history and the humanities in general. Course offerings range from an introduction to Art History to more focused examinations of the Nineteenth and Twentieth Centuries, including Canadian Art, Contemporary Art, and Women and Gender in Art. Advanced seminars are also offered on subjects ranging from critical issues in Archival research, Museum and Curatorial Studies, and Art Criticism. Students majoring in Art History are also encouraged to do an Independent Study paper on a specific area of interest. Courses are also offered for credit as Art History courses in Classics, Philosophy, English, History, and Modern Languages and Literatures. The Owens Art Gallery is an invaluable resource for the study of Art History and for the Fine Arts Department. Further resources include Fine Arts field trips and a Visiting Artists' Program.
Museum and Curatorial Studies .� The Department of Fine Arts offers a B.A. Minor in Museum and Curatorial Studies. The Museum and Curatorial Studies Minor offers an interdisciplinary approach to Art History, Canadian Studies, Chemistry, Classics, Commerce, History, Indigenous Studies, Visual and Material Culture Studies, with the resources and professional staff of the Owens Art Gallery, Colville House, the 乐鱼体育 Libraries and Archives, and the Visiting Artists and Curators program. Course offerings include: arts and culture management; museum education and community engagement; curating and critical writing; the close study of collections and issues around collecting, including the repatriation of Indigenous objects; the archives; and the critical study of art museums and galleries. Students pursuing a Minor in Museum and Curatorial Studies can undertake an experiential learning component in their senior year.
A background in Museum and Curatorial Studies provides a wider understanding of the cultural production of museums and their communities and can lead to professions in curating, museum education, conservation, collections, marketing, or administration in the arts.
| 6 | from ARTH/MUSE 2101, ARTH/MUSE 2111 |
| 18 | from ARTH and/or MUSE at the 3/4000 level or from CLAS/VMCS 3621, 3631, 3721, 3731, ENGL 3621, FREN 2801, FREN/VMCS 1801, GERM 2701, HIST 4001, PHIL 2401 |
| 6 | from ARTH/MUSE 2101, ARTH/MUSE 2111 |
| 36 | from ARTH and/or MUSE at the 3/4000 level or from CLAS/VMCS 3621, 3631, 3721, 3731, ENGL 3621, FREN 2801, FREN/VMCS 1801, GERM 2701, HIST 4001, PHIL 2401 |
| 18 | from complementary courses in Arts and Letters and Humanities, chosen in consultation with the Program Advisor |
| 6 | from ARTH/MUSE 2101, ARTH/MUSE 2111 |
| 6 | from MUSE 3321, 3301, 3311, 3331, 3991, HIST 3861 |
| 3 | from MUSE 4301, 4311, 4321, 4331, 4951, 4991, HIST 4901 |
| 9 | from ARTH 3031, 3071, MUSE 3301, 3311, 3321, 3991, 4301, 4311, 4321, 4951, 4991, CANA 1011, 2211, CANA/INDG 2801, 3111, 3821, CLAS/VMCS 2521, 2531, 3501, 3511, 3621, 3631, 3721, 3731, CLAS 3801, CHEM 1001, 1021, 2111, COMM 3271, 4301, HIST 3861, 4901, INDG 1001, VMCS 1201, 1301, 3201, FGST 1001 |
The listing of a course in the Calendar is not a guarantee that the course is offered every year.
Special Topic in Art History
This course either focuses on topics not covered by the current course offerings in a department or program or offers the opportunity to pilot a course that is being considered for inclusion in the regular program. [Note 1:Prerequisite set by Department/Program when the topic and level are announced. Note 2: When a Department or Program intends to offer a course under this designation, it must submit course information, normally at least three months in advance, to the Dean. Note 3: Students may register for ARTH 1991 more than once, provided the subject matter differs.] (Format: Variable) (Exclusion: FINH 1991 if offered with the same title)
Introduction to Art Histories
This course provides a critical introduction to the history of Western art and its display from the early Renaissance to the present day. It introduces analytical tools through which to examine movements that shaped art throughout these periods. [Note 1: This course is cross-listed with MUSE 2101 and may therefore count as three credits in either discipline.] (Format: Lecture 3 Hours) (Exclusion: FINA 2011; FINH 2011; FINH 2101; Any version of ARTH 2101 previously offered with a different title)
Contexts of Art and Museum Culture
This course focuses on the cultural, historical, and critical contexts of art. It thematically explores aspects of visual art, material culture, art markets, museum studies, repatriation, and issues around decolonization, all within a broader study of art history and visual culture. [Note 1: This course is cross-listed with MUSE 2111 and may therefore count as three credits in either discipline.] (Format: Lecture 3 Hours) (Exclusion: FINH 2111)
Special Topic in Art History
This course either focuses on topics not covered by the current course offerings in a department or program or offers the opportunity to pilot a course that is being considered for inclusion in the regular program. [Note 1: Prerequisite set by Department/Program when the topic and level are announced. Note 2: When a Department or Program intends to offer a course under this designation, it must submit course information, normally at least three months in advance, to the Dean. Note 3: Students may register for ARTH 2991 more than once, provided the subject matter differs.] (Format: Variable) (Exclusion: FINH 2991 if offered with the same title)
Indigenous and Canadian Art to 1960s
Prereq: ARTH/MUSE 2101 (or FINH 2101); ARTH/MUSE 2111 (or FINH 2111); or permission of the Department
This course surveys the history of art in Canada from its beginnings to the 1960s within its historical, social, political, and cultural contexts and considers the ways in which art history and its narratives function. Topics include: the art of Indigenous peoples; topographical and portrait traditions in the Colonial period; landscape painting and the idea of Nationhood; mysticism and nature in Canadian painting; art and democracy; formal experimentation and the urban space in the art of the Inter-War Years; the development of Canadian sculpture; modernism in Canadian painting; Quebec art, politics, and the Church; and the development of abstraction. (Format: Lecture 3 Hours) (Exclusion: FINH 3021; Any version of ARTH 3021 previously offered with a different title)
Contemporary Indigenous and Canadian Art
Prereq: ARTH/MUSE 2101 (or FINH 2101); ARTH/MUSE 2111 (or FINH 2111); or permission of the Department
This course considers the narratives of Indigenous and Canadian art by examining historical, social, political, and cultural contexts. Topics may include: Modernism and Postmodernism in Canadian art; Canadian Indigenous art; colonization and the myths of nationhood; the politics of representation, and gender; affect, and audience. It examines a range of media, including painting, sculpture, photography, video, audio, performance, and installation art. (Format: Lecture 3 Hours) (Exclusion: FINH 3031; Any version of ARTH 3031 previously offered with a different title)
Twentieth Century Art to 1940
Prereq: ARTH/MUSE 2101 (or FINH 2101); ARTH/MUSE 2111 (or FINH 2111); or permission of the Department
This course examines art and architecture in Europe and North America from 1900 to 1940. It covers schools and movements including the Secession, Expressionism, The Fauves, Cubism, Futurism, Constructivism, Abstraction, Dada, Surrealism, and Social Realism, as well as artists working independently of any formal group. It also addresses issues such as gender, psychoanalysis, myths of 'primitivism,' and the politics of colonialism and international warfare. (Format: Lecture 3 Hours) (Exclusion: FINH 3051)
Modern Art From 1940 to 1970
Prereq: ARTH/MUSE 2101 (or FINH 2101); ARTH/MUSE 2111 (or FINH 2111); or permission of the Department
This course examines art in Europe and the United States from 1940 to 1970. It considers schools and movements including Abstract Expressionism, CoBrA, Pop Art, Junk Art, Minimalism, Kinetic Art, Op Art, Land Art, Process Art, Conceptual Art, Arte Povera and Performance Art, as well as artists working independently of any formal group. It also addresses issues such as notions of modernism and the avant-garde, gender, international warfare, post-World War II consumerism, internationalism, and the role of art critics in shaping a 'canon' for twentieth-century art. (Format: Lecture 3 Hours) (Exclusion: FINH 3061)
Contemporary Art
Prereq: ARTH/MUSE 2101 (or FINH 2101); ARTH/MUSE 2111 (or FINH 2111); or permission of the Department
This course examines contemporary art and focuses on themes including the body and identity. Topics include naturally, and culturally, constructed bodies, gender identity, sexual identities, ethnic bodies, abject bodies, and political and religious identities. It includes art in a variety of media including the bodies of humans and animals, painting, sculpture, assemblage,installation, photography, printmaking, architecture, textiles, film, video, and performance art. (Format: Lecture 3 Hours) (Exclusion: FINH 3071; Any version of ARTH 3071 previously offered with a different title)
Feminism and Gender in Art
Prereq: ARTH/MUSE 2101 (or FINH 2101); ARTH/MUSE 2111 (or FINH 2111); or permission of the Department
This course offers a history of representations of gender in art and society, from the Medieval period through to contemporary culture. Drawing on social histories, feminism and its implications, and the representation of gender in the visual arts, this course provides a better understanding of the situation of artists within different social, regional, and global contexts. (Format: Lecture 3 Hours) (Exclusion: FINH 3081; Any version of ARTH 3081 previously offered with a different title)
Early Nineteenth Century Art
Prereq: ARTH/MUSE 2101 (or FINH 2101); ARTH/MUSE 2111 (or FINH 2111); or permission of the Department
This course examines art and architecture during the first half of the nineteenth century in the United States and Europe. It includes art in a variety of media and pays particular attention to the inventions of lithography and photography during this time. It considers artistic movements such as NeoClassicism, Romanticism and Realism along with artists who worked independently from these movements. (Format: Lecture 3 Hours) (Exclusion: FINH 3141; Any version of ARTH 3141 previously offered with a different title)
Late Nineteenth Century Art
Prereq: ARTH/MUSE 2101 (or FINH 2101); ARTH/MUSE 2111 (or FINH 2111); or permission of the Department
This course examines art and architecture during the second half of the nineteenth century in the United States and Western Europe (particularly Belgium, England, France, Germany and Spain). It includes art in a variety of media and pays particular attention to innovations in the production of photography and etching. It considers artistic movements such as Realism, Impressionism, Post-Impression, Arts and Crafts, and Art Nouveau. (Format: Lecture 3 Hours) (Exclusion: FINH 3241; Any version of ARTH 3241 previously offered with a different title)
Special Topic in Art History
Prereq: ARTH/MUSE 2101 (or FINH 2101); ARTH/MUSE 2111 (or FINH 2111); or permission of the Department
This course either focuses on topics not covered by the current course offerings in a department or program or offers the opportunity to pilot a course that is being considered for inclusion in the regular program. [Note 1: Prerequisite set by Department/Program when the topic and level are announced. Note 2: When a Department or Program intends to offer a course under this designation, it must submit course information, normally at least three months in advance, to the Dean. Note 3: Students may register for ARTH 3991 more than once, provided the subject matter differs.] (Format: Variable) (Exclusion: FINH 3991 if offered with the same title)
Advanced Seminar in Art History
Prereq: ARTH/MUSE 2101 (or FINH 2101); ARTH/MUSE 2111 (or FINH 2111); 3 credits from ARTH (or FINH) at the 3000 level; or permission of the Department
This course explores key issues in nineteenth to twenty-first century art, with topics to vary from term to term. It emphasizes contemporary, theoretical, methodological and critical approaches to the art of the recent past. [Note: Students may register for ARTH 4091 more than once, provided the subject matter differs.] (Format: Seminar 3 Hours) (Exclusion: FINH 4091)
Art and Archives
Prereq: ARTH/MUSE 2101 (or FINH 2101); ARTH/MUSE 2111 (or FINH 2111); 3 credits from ARTH, MUSE (or FINH) at the 3000 level; or permission of the Department
This course engages the archives as a real and conceptual space for memory to be activated through critical, historical, and creative methodologies. It opens a dialogue around what constitutes an archive or cultural collection and develops critical skills to navigate archival collections for primary research and documentation that can be applied to any course that examines historical or material culture. Students curate an exhibition drawn from an archival collection such as the 乐鱼体育 Archival Collection. [Note 1: This course is cross-listed with MUSE 4311 and may therefore count as three credits in either discipline.] (Format: Seminar/Experiential 3 Hours) (Exclusions: FINH 4091 Advanced Seminar: Art and The Archives; FINH 4091 Advanced Seminar: Art & Archives; FINH 4311)
Queering Visual Culture
Prereq: Prereq: ARTH/MUSE 2101; ARTH/MUSE 2111; or permission of the Department
This course uses the theoretical notion of 'queering' to challenge, reject, disrupt, and destabilize normative visual representations in visual culture. To queer visual culture is to question the way visual representations are created and presented to audiences, challenge why certain images are deemed legible and authentic, and recenter marginalized perspectives. Drawing on various visual cultural practices, including film and TV, video games, fandom and art histories, this course examines how visual cultures and practices can and should be queered. [Note 1: This course is cross-listed with MUSE 4331 and may therefore count as three credits in either discipline.] (Format: Seminar 3 Hours) (Exclusion: ARTH 3991 Queering Visual Culture)
Independent Study in Art History
This course permits senior students, under the direction of faculty members, to pursue their interest in areas not covered, or not covered in depth, by other courses through a program of independent study. [Note 1: Permission of the Department/Program Advisor. Students must obtain consent of an instructor who is willing to be a supervisor and must register for the course prior to the last day for change of registration in the term during which the course is being taken. Note 2: A program on Independent Study cannot duplicate subject matter covered through regular course offerings. Note 3: Students may register for ARTH 4950/51 more than once, provided the subject matter differs.] (Format: Independent Study)
Independent Study in Art History
This course permits senior students, under the direction of faculty members, to pursue their interest in areas not covered, or not covered in depth, by other courses through a program of independent study. [Note 1: Permission of the Department/Program Advisor. Students must obtain consent of an instructor who is willing to be a supervisor and must register for the course prior to the last day for change of registration in the term during which the course is being taken. Note 2: A program on Independent Study cannot duplicate subject matter covered through regular course offerings. Note 3: Students may register for ARTH 4950/51 more than once, provided the subject matter differs.] (Format: Independent Study)
Special Topic in Art History
This course either focuses on topics not covered by the current course offerings in a department or program or offers the opportunity to pilot a course that is being considered for inclusion in the regular program. [Note 1: Prerequisite set by Department/Program when the topic and level are announced. Note 2: When a Department or Program intends to offer a course under this designation, it must submit course information, normally at least three months in advance, to the Dean. Note 3: Students may register for ARTH 4991 more than once, provided the subject matter differs.] (Format: Variable) (Exclusion: FINH 4991 if offered with the same title)
Special Topic in Museum and Curatorial Studies
This course either focuses on topics not covered by the current course offerings in a department or program or offers the opportunity to pilot a course that is being considered for inclusion in the regular program. [Note 1: Prerequisite set by Department/Program when the topic and level are announced. Note 2: When a Department or Program intends to offer a course under this designation, it must submit course information, normally at least three months in advance, to the Dean. Note 3: Students may register for MUSE 1991 more than once, provided the subject matter differs.] (Format: Variable)
Introduction to Art Histories
This course provides a critical introduction to the history of Western art and its display from the early Renaissance to the present day. It introduces analytical tools through which to examine movements that shaped art throughout these periods. [Note 1: This course is cross-listed with ARTH 2101 and may therefore count as three credits in either discipline.] (Format: Lecture 3 Hours) (Exclusion: FINA 2011; FINH 2011; FINH 2101; Any version of ARTH 2101 previously offered with a different title)
Contexts of Art and Museum Culture
This course focuses on the cultural, historical, and critical contexts of art. It thematically explores aspects of visual art, material culture, art markets, museum studies, repatriation, and issues around decolonization, all within a broader study of art history and visual culture. [Note 1: This course is cross-listed with ARTH 2111 and may therefore count as three credits in either discipline.] (Format: Lecture 3 Hours) (Exclusion: FINH 2111)
Special Topic in Museum and Curatorial Studies
This course either focuses on topics not covered by the current course offerings in a department or program or offers the opportunity to pilot a course that is being considered for inclusion in the regular program. [Note 1: Prerequisite set by Department/Program when the topic and level are announced. Note 2: When a Department or Program intends to offer a course under this designation, it must submit course information, normally at least three months in advance, to the Dean. Note 3: Students may register for MUSE 2991 more than once, provided the subject matter differs.] (Format: Variable)
Museums, Education, and Engagement
Prereq: ARTH/MUSE 2101 (or FINH 2101); ARTH/MUSE 2111 (or FINH 2111); or permission of the Department
This course examines the expanding field of museum education and considers the broader educational role of the museum. Topics include: current practice in museum education; informal learning theories; visitor experience; visitor research; writing in the museum; accessibility; inclusion; relevance; and the ways in which museums use new media, social media, and mobile technology. (Format: Seminar 3 Hours) (Exclusion: FINH 3301; FINH 3991 Museums, Education and Engagement)
Collections, Collecting, and Community
Prereq: ARTH/MUSE 2101 (or FINH 2101); ARTH/MUSE 2111 (or FINH 2111); or permission of the Department
This course critically examines the material culture of galleries, archives, and collections. Its close study of collections, collecting, and their communities broadens the dialogue around the politics of repatriation, stewardship, spoliation and restitution, and ownership and community. (Format: Seminar 3 Hours) (Exclusion: FINH 3311)
Introduction to Museum Studies
Prereq: ARTH/MUSE 2101 (or FINH 2101); ARTH/MUSE 2111 (or FINH 2111); or permission of the Department
This course examines the art museum within contemporary society. It considers the history and future shape of the museum, and examines current practice, issues, and debate. It includes topics such as: the politics of the museum; its history and discourse; curatorial practice and the development of exhibitions; the museum and its publics; museums and new media; collections; and issues of artistic freedom and censorship. (Format: Seminar 3 Hours) (Exclusion: FINH 3041)
Diversity in Museums
Prereq: ARTH/MUSE 2101; ARTH/MUSE 2111; or permission of the Department
This course examines how museums reevaluate and diversify objects, narratives and audiences. While many museums have policies and goals to create more inclusive spaces, issues of censorship, colonialism, questionable object acquisition, as well as systematic social inequalities such as racism, homophobia, transphobia, ableism and misogyny, remain prevalent in the museum. Through a series of case studies, this course offers students the critical tools to analyze the responses, actions and outcomes that impact the inclusion of wider narratives, voices and experiences. (Format: Seminar 3 Hours) (Exclusion: MUSE 3991 Diversity in Museums; MUSE 4991 Diversity in Museums)
Special Topic in Museum and Curatorial Studies
Prereq: ARTH 2101 (or FINH 2101); ARTH/MUSE 2111 (or FINH 2111); or permission of the Department
This course either focuses on topics not covered by the current course offerings in a department or program or offers the opportunity to pilot a course that is being considered for inclusion in the regular program. [Note 1: Prerequisite set by Department/Program when the topic and level are announced. Note 2: When a Department or Program intends to offer a course under this designation, it must submit course information, normally at least three months in advance, to the Dean. Note 3: Students may register for MUSE 3991 more than once, provided the subject matter differs.] (Format: Variable)
Curating Art and Critical Writing
Prereq: ARTH/MUSE 2101 (or FINH 2101); ARTH/MUSE 2111 (or FINH 2111); 3 credits from ARTH, MUSE (or FINH) at the 3000 level; or permission of the Department
This course develops a critical and creative approach to contemporary curating, museology, and writing on art. Topics include: a close examination of museums, galleries, and artist-run centres; the material cultures of display; collections; art writing. Students gain experience through curating art within a group dynamic. (Format: Seminar 3 Hours) (Exclusions: FINH 4091 Advanced Seminar: Curating Art and Critical Writing; FINH 4091 Advanced Seminar: Curating Art; FINH 4301)
Art and Archives
Prereq: ARTH/MUSE 2101 (or FINH 2101); ARTH/MUSE 2111 (or FINH 2111); 3 credits from ARTH, MUSE (or FINH) at the 3000 level; or permission of the Department
This course engages the archives as a real and conceptual space for memory to be activated through critical, historical, and creative methodologies. It opens a dialogue around what constitutes an archive or cultural collection and develops critical skills to navigate archival collections for primary research and documentation that can be applied to any course that examines historical or material culture. Students curate an exhibition drawn from an archival collection such as the 乐鱼体育 Archival Collection. [Note 1: This course is cross-listed with ARTH 4311 and may therefore count as three credits in either discipline.] (Format: Seminar/Experiential 3 Hours) (Exclusions: FINH 4091 Advanced Seminar: Art and The Archives; FINH 4091 Advanced Seminar: Art & Archives; FINH 4311)
Museum Practicum
Prereq: Fourth-year standing in the Minor in Museum and Curatorial Studies; and Permission of the Department
This course provides students with an applied understanding of museum and curatorial practices. Students have an opportunity to engage in a directed study with a community museum, art gallery, arts centre, cultural or heritage centre, or archive, to develop a deeper knowledge of how these institutions, and their related professions, operate and function. (Format: Independent Study/Experiential) (Exclusion: FINH 4321)
Queering Visual Culture
Prereq: ARTH/MUSE 2101; ARTH/MUSE 2111; or permission of the Department
This course uses the theoretical notion of 'queering' to challenge, reject, disrupt, and destabilize normative visual representations in visual culture. To queer visual culture is to question the way visual representations are created and presented to audiences, challenge why certain images are deemed legible and authentic, and recenter marginalized perspectives. Drawing on various visual cultural practices, including film and TV, video games, fandom and art histories, this course examines how visual cultures and practices can and should be queered. [Note 1: This course is cross-listed with ARTH 4331 and may therefore count as three credits in either discipline.] (Format: Seminar 3 Hours) (Exclusion: ARTH 3991 Queering Visual Culture)
Independent Study in Museum and Curatorial Studies
This course permits senior students, under the direction of faculty members, to pursue their interest in areas not covered, or not covered in depth, by other courses through a program of independent study. [Note 1: Permission of the Department/Program Advisor. Students must obtain consent of an instructor who is willing to be a supervisor and must register for the course prior to the last day for change of registration in the term during which the course is being taken. Note 2: A program on Independent Study cannot duplicate subject matter covered through regular course offerings. Note 3: Students may register for MUSE 4950/51 more than once, provided the subject matter differs.] (Format: Independent Study)
Independent Study in Museum and Curatorial Studies
This course permits senior students, under the direction of faculty members, to pursue their interest in areas not covered, or not covered in depth, by other courses through a program of independent study. [Note 1: Permission of the Department/Program Advisor. Students must obtain consent of an instructor who is willing to be a supervisor and must register for the course prior to the last day for change of registration in the term during which the course is being taken. Note 2: A program on Independent Study cannot duplicate subject matter covered through regular course offerings. Note 3: Students may register for MUSE 4950/51 more than once, provided the subject matter differs.] (Format: Independent Study)
Special Topic in Museum and Curatorial Studies
This course either focuses on topics not covered by the current course offerings in a department or program or offers the opportunity to pilot a course that is being considered for inclusion in the regular program. [Note 1: Prerequisite set by Department/Program when the topic and level are announced. Note 2: When a Department or Program intends to offer a course under this designation, it must submit course information, normally at least three months in advance, to the Dean. Note 3: Students may register for MUSE 4991 more than once, provided the subject matter differs.] (Format: Variable)
The following courses also count as Art History offerings:
Note: Only ENGL 3621, FREN 2801, GERM 2701, PHIL 2401 may be counted as Art History credits towards the BFA degree. CLAS 3621, 3631, 3721, 3731 can only be counted as Art History credits towards the BA programs in Fine Arts and Art History.
THE NEW GERMAN FILM: HISTORY, THEORY AND PRACTICE
Format: lecture 3 hours, film screening 2.5 hours